2017/6/10 At the akiba cultures theater we conducted a laser with a one – man live panda.
Apparently it was the first time that a laser entered this venue and I struggled a little bit but finally I could operate without problems.
I embed this live’s movie.
I operated MVN contents at Synagy, in Anime Central, held in Chicago.
It is useless because the “Synagy” place is horrible radio wave, but the situation was relatively improved, thought not completely improved because I found good radio wave channel and change to this channel.
I re-recognized that I need to get the way to investigate radio wave situation in using wireless equipment.
At KUJIRA vol.04 held at Shibuya Lounge Neo at 2017.03.20, I did live for one hour with laser only as RAM RIDER x hi-farm (ACTIVE LASER SET).
One hour only with a one-man live performed last November. Actually I made a lot of ingenuity so that time does not get tired of time much longer than when it was one-man live, but I think that it went successful as a result.
In the venue, I thought that the beam would come above the customer’s head thinking that the front person could be seen but the person behind it could not see much.
However, on the ceiling on the stage, too, the laser reflected on the screen was magnified so much that the people in the back could have been enjoyed in different ways of seeing.
I made a moment with my twitter account so that I can understand the atmosphere at that time.
I think whether you can understand the atmosphere of those who actually went to see it.
I also wish I could have had many such sets.
Sorry, this entry is only available in 日本語.
Sorry, this entry is only available in 日本語.
This year I also made the illumination image of the tree at the Tokyo station Yaesu-guchi.
It seems that WOW made an installation this year.
How nice.
This is made to be familiar with the whole theme, and this year we are shining in the range of blue to white.
Although it was difficult to have variations easily, I think that I will make that variation next year if there is a story that I want to do this next year while checking the lighting the other day.
Or I hope I can do it elsewhere.
This is 2015 version:
http://hi-farm.net/detail/2015/12/01/tokyo-yaesu-illumination-tree/
RAM RIDER who I am always doing the laser will do one man live for the first time in 4 years.
Although I tried and tried variously, but I did not settle, the first time I did a laser, this one-man live four years ago.
It is not that 4 years worth it, but I asked him to do something new for himself because I was impatient. I thought that it was pretty beautiful because I was currently setting up at the event or live, but where can I use it? I was able to do things like what I was thinking.
Although it is easy to understand to see pictures, I was hitting a laser on the screen on the stage and I was creating and projecting this kind of image.
As a result, it was a pleasure to have felt making the space of lights more than I imagined because of smoke.
Here is a picture.
I tried making it to synchronize with the sound as possible as possible.
I also use the experience gained in 4 years such as things progressing, sound timing and machinery etc, such as things going forward, being packed with Yuki who has been helped by the LED costume many times (even in other work) I was able to do it and because I have more opportunities to join with Mr. Murakami of Sailor Chainsaw of VJ? I wonder if there was feeling that it is linked more than ever. There are many other things but it was good for the time being. Mr. Taki’s picture was also good.
It is not something main but I feel like I’m obliterating when I write too much, so I’ll leave it around here.
There is a place relieved by what I was able to do once, but there are things I still have to leave, so I hope I can do something again somewhat, I will keep preparing.
I hope the photos and video of the officials will come up in the future. I will upload it if I go up and I will try to paste the link.
There seems to be a lot of tweets related to live uploading to hashtag # rr161120 somehow.
It seems that pictures and videos are also posted, so if you do not mind, you can see the situation if you can see that.
I am allowed to use Ms. Kimura who was shooting the picture. It is surprisingly nice to take a proper photographer.
Of course, we are making directing considering safety.
Note: add movie
RAM RIDER – LIVE20161120 laserbox from Mitsuru Takeuchi on Vimeo.
The picture is an external grab you actually used while showing the pattern of the stage vaguely.
Starting with NADA several years ago,
We are also helping in Yoritomo held in Yugawara this February
We also assisted Integral Vision Graphics’ s job this time.
The event is an event of “Opening Nihonbashi – Tokyo 2020 Culture Olympiad Kickoff -” held on October 7, 2016 at the forest special stage of Nipponbashi Fukutoku. I was in charge of the sensing part in collaboration with Noh, video, music.
It is a program that started from about 53 minutes.
When it goes over well well by going over “interactively moving the video in accordance with the movement of the performer”, it does not differ from the built-in image, and there are difficulties that it is uncomfortable if it does not fit well, but above all
· The number of rehearsals is small
· Costume is Japanese clothing? It will not be able to recognize skeleton
· Because it is outdoors, it is often influenced by external environment
It was the most difficult place.
Moreover, there was a secret pressure that this event can not stop flow because there is progress of the event because sensing can not be done.
(Such things are something you can not worry until you finish it even though you are used to it many times … is personality)
Although the place related to sensing is real time, there are places where visual elements are changed on the spot while looking at the situation,
It was necessary to cooperate with the mix like VJ but it was quite interesting for me that there was live feeling to me that changing only one vaguely and then changing each other while looking at each other.
It may be difficult to understand, but please see the situation at that time from here.
Incidentally, I made it so that I could change the element from the iPad and changed it while I was watching the stage from a distance.
I think that it was pretty valuable to be able to do in the place we were at.
I hope I will be able to do something interesting in various interesting places.
reference：
Fusion of Kyogen ‘s party and projection mapping: (Laser, sensing)
NADA Project Vol2：Sensing
NADA Project Vol2 – Kagura – Full version from Takayuki Baba on Vimeo.
I was invited from “BENZENE by VMTT” to create Sonic Stage ‘s headphone decoration system for SummerSonic 2016.
The image, lighting, and sound of LED are emitted from the four headphones installed on the floor, and it is like a simple surround.
We arranged the sound source on the virtual space based on the video, emitted the sound from the object in the virtual space, and sent the signal so that the corresponding part glows.
I also made interactive system functions and I have also had opportunities to do so again with this experience so I am very happy to have such an opportunity in the future as well.
I have been to GDC. San Francisco, first USA!
At the GDC booth at Miraisens providing 3D Haptics Technology,
We performed system of LED bar, processing, programming, creation of lighting pattern, onsite setting, working in real time with demonstration appli.
It was quite a settling experience that seems quite American, but overseas is a good experience as things that I had not predicted happen.
I am also a programmer so I can control such interactive light of course.
The controller really felt like being pulled in that direction and was excited by a touch of new technology.
I look forward to future developments.
Thank you for your inconvenience and I am indebted to them but it was a pleasant experience and sightseeing.
In addition, I would like to help them.
It is a bit hard to understand but I’m giving a video here.
Standby state:
Interlocking state (The light pattern has changed according to the top, bottom, left and right .. difficult to understand.)
We receive signals from the demo app in real time and are switching to the light that fits each scene.